Mount Utsu
even the old men
had lovers
steep mountain
on the road a cart
loses a wheel
late autumn
a cold wind pushes me
up the mountain
mountain wind
my clothes and my skin
become one
steep mountain
at the top perhaps
two stars
Published today at one of Gabi Greve's blogspots -http://wkdhaikutopics.blogspot.com/2008/02/mount-utsu.html . Mountains, temples and tea count as favourite haiku topics of mine, perhaps because all three have something to do with the act (art?) of contemplation.
This website will exhibit either work that has already been published (acknowledgements will be shown), or work I intend to see in solid print one day. The haiku / tanka / senryu / haibun / ordinary poems you will find here have the right to be plucked out of my otherwise anonymous and experimental scrapbook.
Sunday, February 17, 2008
Saturday, February 16, 2008
Cuttings - 1
We hear that he still goes to work
with his jeep, his shoes
and all of his eighty-odd years.
I stopped writing him years ago,
his last card still in its envelop.
This is how I want it – no creases,
no liana vines or loose shoelaces.
Nagtatampo siya, they’ve told me,
a remark I’ve since tried to ignore.
If we meet at a party I’ll sit
at another table with five strangers.
No one will ask if we’re related,
or if I knew his wife, who managed
her own private stock exchange.
Afterwards we’ll stroll in Mabini,
I’ll play the bargirl he called me,
and ask my husband for money.
The first of several parts.
with his jeep, his shoes
and all of his eighty-odd years.
I stopped writing him years ago,
his last card still in its envelop.
This is how I want it – no creases,
no liana vines or loose shoelaces.
Nagtatampo siya, they’ve told me,
a remark I’ve since tried to ignore.
If we meet at a party I’ll sit
at another table with five strangers.
No one will ask if we’re related,
or if I knew his wife, who managed
her own private stock exchange.
Afterwards we’ll stroll in Mabini,
I’ll play the bargirl he called me,
and ask my husband for money.
The first of several parts.
Friday, February 15, 2008
Post-Valentine's Day
soft music
as you stand near the door
dreamily
I pour us some drinks and
wonder what lies you'll tell me
The 14th of February has become so commercial, everyone celebrating it has become almost predictable; and to think this had never been part of original Dutch culture. On the other hand, how else to call a day of customized romance ... Ella the Cynic
as you stand near the door
dreamily
I pour us some drinks and
wonder what lies you'll tell me
The 14th of February has become so commercial, everyone celebrating it has become almost predictable; and to think this had never been part of original Dutch culture. On the other hand, how else to call a day of customized romance ... Ella the Cynic
Sunday, February 10, 2008
Finally
behind the wheel
north towards the woods
... out of the way
the long familiar road
to where you once lived
A break of 3 years is quite long, and there have been reasons -- a friendship thrown away, the rediscovery of our marriage, and 45-hour-long work weeks. In between all that, two permanent employment contracts, a Master's Degree, and my first poetry collection Sorrows of the Chameleon, which I wrote more to express myself than to sell (although a little profit on the side won't hurt at all...). Enough said, except perhaps the hope that I can maintain this site a tad more faithfully.
north towards the woods
... out of the way
the long familiar road
to where you once lived
A break of 3 years is quite long, and there have been reasons -- a friendship thrown away, the rediscovery of our marriage, and 45-hour-long work weeks. In between all that, two permanent employment contracts, a Master's Degree, and my first poetry collection Sorrows of the Chameleon, which I wrote more to express myself than to sell (although a little profit on the side won't hurt at all...). Enough said, except perhaps the hope that I can maintain this site a tad more faithfully.
Friday, February 01, 2008
Santoka - a response
climbing
all my mountains
tireless wind
empty
as I walk to the sea
I fill with water
on the path
only the autumn moon
and my sandals
no hope
of finding my mother
a lie I like to tell
the house
that knew my childhood
I have burned it
on the road
talking to myself
a poplar tree listens
my bed
at the edge of moonlight
no dreams come
These were written on 01 February in response to haiku written by poet Santoka Taneda, which I read in his collection 'For All My Walking' (translations by Burton Watson). They have been published online at http://haikutopics.blogspot.com/2006/09/santoka-and-sake.html . Santoka's sake poems may be well-known, but his poems on loneliness reflect a sincerity and openness of feeling that is not easy to find. He wrote of his life and lived it like a poem.
all my mountains
tireless wind
empty
as I walk to the sea
I fill with water
on the path
only the autumn moon
and my sandals
no hope
of finding my mother
a lie I like to tell
the house
that knew my childhood
I have burned it
on the road
talking to myself
a poplar tree listens
my bed
at the edge of moonlight
no dreams come
These were written on 01 February in response to haiku written by poet Santoka Taneda, which I read in his collection 'For All My Walking' (translations by Burton Watson). They have been published online at http://haikutopics.blogspot.com/2006/09/santoka-and-sake.html . Santoka's sake poems may be well-known, but his poems on loneliness reflect a sincerity and openness of feeling that is not easy to find. He wrote of his life and lived it like a poem.
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